selection as shown at Leslie Tonkonow Artworks and Projects
601 West 26th St, 12th Fl. New York, NY 10001 Jan. 2000

Google search of German Indians (press, mentions, etc.)

Karl May Festival

No country has more of a fascination with Native Americans than Germany. For more than a century, hobby clubs, open air theater festivals, fairs, and carnival costumes have been developing. Besides a deep-rooted romantic view of a pre-industrial past, and the imagery of Cowboy Western movies, the primary cause of this fascination is the work of the 19th century writer Karl May. Although he didn't visit North America until late in life, he wrote many novels about the Wild West, portraying Native Americans as heroes and whites as villains.

Although the "pro-Indian" slant of Karl May can be understood as a progressive, anti-colonial message, his writings were also an important part of Nazi mythology. German fascists identified with the Indian as noble savage and as the victim of a modern, corrupt, overly intellectual world. The Nazis' home-spun victim mythology formed the basis for retaliatory aggression against those who they perceived as threats. Ironically, while Hitler was researching American Indian reservations as models for concentration camps, he made his generals carry around volumes of Karl May's writings.

After World War II, the east-west division of Germany caused a split in the culture of Native American emulation. In East Germany Indian fan clubs increased because they were a legal opportunity to gather in large numbers and Karl May's anti-American/anti-capitalist messages conformed to eastern bloc doctrine. In West Germany, the influx of American popular culture expanded the imagery of the American West, but conflicted with Karl May's sympathetic descriptions of indigenous Americans. Although an intense pro-Americanism developed after World War II, the notion of Americans as invaders, of course, ties in with the resentment felt during the U.S. military occupation. Also, postwar Germans, discouraged from nationalism and group ritual, sense a permission to find themselves in other ethnic groups. And, perhaps, criticism of atrocities against Native Americans also gives Germans some sense of relief from their own shame of the holocaust.

Karl May's birthday is celebrated annually in his hometown of Radebeul, near Dresden, by hundreds of Germans dressed as Native Americans. Loosely formed groups, called tribes, gather from all over the country. The local tribe is led by the self-proclaimed chief of this area, Old Bull, also known as Gerhard Fischer. Tourists stream through the two-day festival to witness the various encampments and lifestyle enactments. A broad range of Native American cultures are painstakingly researched in the belief that they are being perverted by modernity and in need of outside preservation. However, artifacts and customs are imaginatively combined, with little concern or explanation as to which specific nations they represent.

Andrea Robbins & Max Becher 1997/98

Man with Feather

Chief's Daughter

Man with Headdress

Chief's Wife

Cologne Karnival 1

Cologne Karnival 2

Cologne Karnival 3

Cologne Karnival 4

Cologne Karnival 6

Cologne Karnival 7

Cologne Karnival 8

Campfire

Meeting

ThreeMen

Reclyning Youth

Brave

Man with Blackened Face

Suitcase

Knife Thrower

Elderly Lady

Blonde

Young Man with Shield

Chief


©Andrea Robbins and Max Becher. 1997/98.
All above photographs are chromogenic prints, matted, and in wood frames.
Horizontal pieces are 77.4 cm x 89.4 cm (30 3/8" x 35 1/8") and come in editions of 5.
Vertical pieces are 76.4 cm x 64.4 cm (30" x 25 3/8") and come in editions of 5.

Contact information

Cologne Karnival

Every year in February many cities in Germany celebrate Karnival, or Fasching. Over a period of several days people dress up in costumes, get together, celebrate and have parades and parties. Children also participate and put on all kinds of homemade or storebought costumes. Many dress up as Native Americans, images of which they have derived from American movies as well as from the book and film versions of the novels of Karl May.

Andrea Robbins and Max Becher 1994/95